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“Showmen's Rest was truly something to behold. Throughout the entire yard, statues and carvings of elephants, clowns, and tight-rope walkers danced on the gray and white surfaces of tombstones and grave-markers. For the first time, Michael got the feeling that the men and women who'd been buried there were probably really happy with their final resting place. It was a touching tribute, one that honored their passion in life and that had been constructed out of love and respect.”
— Jacqueline E. Smith
“And then suddenly I hear his footsteps approaching. He's behind me, thirty feet away, at a guess.No wonder I couldn't see him.I should turn. Right now I should turn. This is the moment that it would be natural to swivel roundand greet him. Call out a hello; wave my phone in the air.But my feet are rooted to the spot. I can't bring myself to move. Because as soon as I do, it will betime to be polite and matter-of-fact and back to normal. And I can't bear that. I want to stay here. Inthe place where we can say anything to each other. In the magic spell.Sam pauses, right behind me. There's an unbearable fragile beat as I wait for him to shatter the quiet. But it's as though he feels the same way. He says nothing. All I can hear is the gentle soundof his breathing. Slowly, his arms wrap round me from behind. I close my eyes and lean back
against his chest, feeling unreal.”
— Sophie Kinsella
“All my life, I have been searching for a home," the drow said quietly. "All my life, I have been wanting more than that which was offered to me, more than Menzoberranzan, more than friends who stood beside me out of personal gain. I always thought home would be a place, and indeed it is, but not in any physical sense. It is a place in here," Drizzt said, putting a hand to his heart and turning back to look upon his companions. "It is a feeling given by true friends.I know this now, and know that I am home.""But ye're off to Carradoon," Cattie-brie said softly."And so're we!" Bruenor bellowed.
Drizzt smiled at them, laughed aloud. "If circumstances will not allow me to remain at home," the ranger said firmly, "then I will simply take my home with me!”
— R.A. Salvatore
“The tight, throbbing feeling in my throat made me want to start sobbing, to break down, right there on an unfamiliar corner in front of a house just like my own. Everything seemed so out of control, as if even running the streets wouldn't save me. I wondered if this was how she felt running wild at night, this lost, loose feeling that no consequence could be so harmful as the sense of staying where you were, or of being who you are. I wanted to be somewhere else, out of the range of my mother's voice and ears, of Ashley's pouty looks, of the News Channel 5 viewing area. A place where the sight of my sobbing would tie me to no one and no one to me.”
— Sarah Dessen
“Perhaps one may be out late, and had got separated from one's companions. Oh horrors! Suddenly one starts and trembles as one seems to see a strange-looking being peering from out of the darkness of a hollow tree, while all the while the wind is moaning and rattling and howling through the forest-moaning with a hungry sound as it strips the leaves from the bare boughs, and whirls them into the air. High over the tree-tops, in a widespread, trailing, noisy crew, there fly, with resounding cries, flocks of birds which seem to darken and overlay the very heavens. Then a strange feeling comes over one, until one seems to hear the voice of some one whispering: "Run, run, little child! Do not be out late, for this place will soon have become dreadful! Run, little child! Run!" And at the words terror will possess one's soul, and one will rush and rush until one's breath is spent-until, panting, one has reached home.”
— Fyodor Dostoyevsky
“If I could fall in love with a girl, it'd be her. Those ifs are dangerous. You try them on in your head like dresses, so easy to slide in and out of. If I kissed girls, I'd kiss her. If we kissed, it'd go like this. At some point I dropped the if like a slip and just wore the feeling, nothing between it and my skin. When I kiss her. When it happens. All of it took place in my head, in silence, locked tight in skull bone and the frantic synaptic whispers between neurons, no clues popping out except the passive-aggressive haircut, the incriminating poem.That's the problem with writers. Too much imagination.
The greater part of me knew it couldn't be real, but the hopeful part, which is more concentrated and condensed, rich in nine essential delusions, thought: It's not all in your head.”
— Leah Raeder
“Suddenly she thought that these men believed feeling itself a disease, something to be cut out like a rotten appendix. Cold, calculating, ambitious, believing themselves rational and superior, they chased the crouching female animal through the brain with a scalpel. From an early age she had been told that what she felt was unreal and didn't matter. Now they were about to place in her something that would rule her feelings like a thermostat”
— Marge Piercy
“I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA.”
— Jodi Picoult
“The men's tanned faces, the faces of the women, bright with cosmetics, all suddenly appeared similar, as though wearing identical masks; hard, smiling, decorative, devoid of feeling. Not one of the seemed capable of expressing affection or pity or any of the softer emotions. They frightened her, these gay, hard, animated, worldly masks; she would always be a stranger among them, lost, ill-at-ease, out of place.”
— Anna Kavan
“In a world where the most consequential things happen by chance, or from unfathomable causes, you don't look to reason for help. You consort with mysteries ... They have been killed in place of you - in your place. You don't think it out, not at the time, not in those terms, but you can't help but feel it, and go on feeling it. It's the close call you have to keep escaping from, the unending doubt that you have a right to your own life. It's the corruption suffered by everyone who lives on, that henceforth they must wonder at the reason and probe its justice.”
— Tobias Wolff
“It is a part of our office to stand uncloaked, masked, sword bared, upon the scaffold for a long time before the client is brought out. Some say this is to symbolize the unsleeping omnipresence of justice, but I believe the real reason is to give the crowd a focus, and the feeling that something is about to take place. A crowd is not the sum of the individuals who compose it. Rather it is a species of animal, without language or real consciousness, born when they gather, dying when they depart. Before the Hall of Justice, a ring of dimarchi surrounded the scaffold with their lances, and the pistol their officer carried could, I suppose, have killed fifty or sixty before someone could snatch it from him and knock him to the cobblestones to die. Still it is better to have a focus, and some open symbol of power.
Wolfe, Gene (1994-10-15). Shadow & Claw: The First Half of 'The Book of the New Sun' (p. 184). Tom Doherty Associates. Kindle Edition.”
— Gene Wolfe
“And one of the things she had learned early in her lifewas that if you discovered something that made you tighten inside, you had better try to learnmore about it. If you simply ignored the feeling, you would never know what might happen, andin many ways that was worse than finding out you were wrong in the first place. Because if youwere wrong, you could go forward in your life without ever looking back over your shoulder and
wondering what might have been”
— Nicholas. Sparks
“A scream is a sound we make that is born of intense feeling. A scream of fear, of being startled, is often high-pitched. It may be short or prolonged. A scream may also accompany delight or amusement, though often that is more of a squeal. And a scream of sorrow or rage ... well, that is an entirely different thing. That comes from a darker place, from the depths of our souls, and when we scream in those times, because we are sad or angry, there is a terrible knowledge that accompanies it, that we are giving voice to our emotions, to what is simply too big for our hearts to contain.
And as Li Wei cries out, I know Feng Ji is right. It is his heart I am hearing, a way of expressing what he feels over his father's loss that is both primal and beautiful, and it comes from his soul and reaches something within mine. It is the sound my own heart made when my parents died, only I didn't know it until now.”
— Richelle Mead
“I leaned back on my elbows and basked in the warming spring sun. There was a curious peace in this day, a sense of things working quietly in their proper courses, nothing minding the upsets and turmoils of human concerns. Perhaps it was the peace that one always finds outdoors, far enough away from buildings and clatter. Maybe it was the result of gardening, that quiet sense of pleasure in touching growing things, the satisfaction of helping them thrive. Perhaps just the relief of finally having found work to do, rather than rattling around the castle feeling out of place, conspicuous as an inkblot on parchment.”
— Diana Gabaldon
“I've gone through terrible periods of depression. But, at the core of my being, there's a strange, out-of-place optimist. Despite what I'm feeling, I'm always able to get up and do my job. Which means the world to me.”
— Jenny Lewis
“Some Hindus have an elephant to show.No one here has ever seen an elephant.They bring it at night to a dark room.One by one, we go in the dark and come out saying how we experience the animal.One of us happens to touch the trunk.A water-pipe kind of creature.Another, the ear. A strong, always movingback and forth, fan-animal. Another, the leg.I find it still, like a column on a temple.Another touches the curve back.A leathery throne. Another, the cleverest,feels the tusk. A rounded sword made of porcelain.He is proud of his description.Each of us touches one placeand understands the whole in that way.The palm and the fingers feeling in the darkare how the senses explore the reality of the elephant.If each of us held a candle there,
and if we went in together, we could see it.”
— Rumi
“The idea in our culture of body solely as sculpture is wrong. Body is not marble. That is not its purpose. Its purpose is to protect, contain, support and fire the spirit and soul within it, to be a repository for memory, to fill us with feeling - that is the supreme psychic nourishment. It is to lift us and propel us, to fill us with feeling to prove that we exist, that we are here, to give us grounding, heft, weight. It is wrong to think of it as a place we leave in order to soar to the spirit. The body is the launcher of those experiences. Without body there would be no sensations of crossing thresholds, there would be no sense of lifting, no sense of height, weightlessness. All that comes from the body. The body is the rocket launcher. In its nose capsule, the soul looks out the window into the mysterious starry night and is dazzled.”
— Clarissa Pinkola Estés
“The theory of positivity teaches us to, "always look on the bright side" and to, "point out the bright side to others". However, any highly empathic individual will know, that this mindset alienates us from other people. What connects us with other people is the ability to identify with what they are feeling and thinking, regardless of whether or not we've actually been in their place before. If you want to point someone out to the light, first you need to get into their dark cave with them, light a candle, and say, "Hey, I'm here with you and look, remember what the light feels like?" That's the kind of positivity that actually bears real change in people, in the world.”
— C. JoyBell C.
“When you are insulted by someone or humiliated, guard against angry thoughts, lest they arouse a feeling of irritation, and so cut you off from love and place you in the realm of hatred. You should know that you have been greatly benefited when you have suffered deeply because of some insult or indignity; for by means of the indignity self-esteem has been driven out of you.”
— Maximus The Confessor
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